那年我们韩剧6.3

拍得很好时代背景不同我们没有必要过于苛责那年我们韩剧希望现在不要再有同妻

金逸国际电影城王家湾店 2013.6.7 22:18 24.9*1

莫名其妙那年我们韩剧特别可怕看得赫死老子了诡怖的氛围很成功这编剧演员阵容也是吓到了讲了一个性解放的故事呢

Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.

我觉得这部电影被低估了这是女权主义者的复仇那年我们韩剧也是垃圾国男的样本采集谁没遇到过她爹一样道貌岸然对女人不尊重不关心只有x欲的男人呢还有口口声声说爱自己实则占有欲爆棚的追求者游刃有余在女人们中揩油的花蝴蝶一时激情又不敢负责的秒射男唯一可爱的也许就是那个老捕快了配乐哪里可怕无非是几千年冤死的女性发不出来的呐喊